When we begin to understand the culture beneath the art, how society functioned, how people lived, and the personal history of the artist, viewing art becomes a conversation with the artist across time.
It was an honour and a pleasure to share my perspective at The Hurlingham Club, London, reflecting on the remarkable exhibition “Hiroshige: On a Lyrical Journey Through Edo Japan” by The British Museum, from the collection of Alan Malldagh.
Utagawa Hiroshige was one of the most celebrated ukiyo-e artists of the Edo period (1603–1868), based in the vibrant city of Edo - modern-day Tokyo - during the rule of the Tokugawa shogunate. His works captured the poetic spirit of everyday life and nature, and have mesmerised generations of viewers, including many Western artists, most notably Vincent van Gogh.
Hiroshige’s prints are instantly recognisable ;
- breathtaking gradation of colours,
- the iconic “Hiroshige blue,”
- a deep sensitivity and lyricism.
These qualities set him apart from other ukiyo-e artists of his time, creating a visual language that speaks across centuries.
The Edo period was a time of peace, stability, and cultural growth. With a rigid social structure in place, it gave rise to a thriving urban culture among commoners. The term ukiyo (“floating world”) captured the essence of this period—fleeting pleasures, beauty in the moment, and everyday life as art.
So, Who was Hiroshige? What shaped his perspective?
Understanding the social and cultural context of the Edo period and Hiroshige’s own background within that structured society—offers vital clues. It allows us to see his work with fresh eyes, appreciate the subtle messages within, and engage more deeply with his artistic vision, even today.
In my lecture I explored with the topics below.
- About Hiroshige Utagawa
- A Journey to Edo-Period Japan (1603–1868)
- Why Hiroshige Stands Out
- Focus on Key Artworks
- Influence on Western Artists – Van Gogh
- Further Exploration & Reading
It was such a graceful evening, filled with warm exchanges and meaningful dialogue. Sharing the art of Japan - with its history, society and culture with a journey to Edo period Japan - was a real pleasure.
What made it very special was the sense of connection in the room. Moments like this remind me how art can bridge cultures, spark curiosity, and create shared understanding beyond borders and time.
My sincere thanks to the event team of the Hurlingham club to make this happen.
Many thanks to my wonderful colleague, art historian, Mariska Beekenkamp-Wladimiroff initiating this event!
Thank you!
Azumi
PS: I enjoyed also dressing up in blue to reflect his art, in 1970's handmade vintage dress! :-)
Exhibition, “Hiroshige: Artist of the Open Road” at The British Museum, London, is on till 7 September, 2025.
Highly recommend to visit!